Pandeiro Guide: Ijexá, Samba de Caboclo, Maculelê, Rhythms of the Candomblé
Course language: English
Want to go deeper? Ritual drumming still forms a big part of Brazil's music. Whilst many of the rhythms have been taken over in Axé, MPB and Brazilian Pop music, there is still a strong culture of traditional drumming all over the country. For example, the Ijexá is a rhythm played by the Afoxés and their blocos. The rhythm is also common in the ritual drumming of Candomblé where it is played on atabaques and an agogo bell. Maculelê is often seen in Capoeira music, beautiful Cabila, Congo and Barravento bring the African flavours to your pandeiro. Last but no least - the complex rhythms of Lê, Rumpi and Rum (atabaque voices) with their bell patterns. Travel to another world of musical possibilities and discover the beauty of ritual drumming transferred to the pandeiro.
The course contains:
- Ixejá
-Samba de Caboclo
- Maculelê
- Cabila
- Congo
- Barravento
- Lê, Rumpi, Rum Patterns
- Bell Patterns
Playing time: 39min 37sec
Abtastrate: | 44 kHz |
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Audio Codec: | uncompressed |
Available as: | download |
Channels: | 2 (Stereo) |
Download - File Format: | ZIP |
Duration: | 39:37 min |
File Size: | 544 MB |
Frame Rate: | 25 fps/s |
Image Height: | 1080px |
Inhalte: | Afoxé / Ijexá, Candomblé, Diverse Styles |
Producer: | HP Percussion |
Release Year: | 2018 |
Video Codec: | H264 |
Video Format: | MP4 |
for Instruments: | pandeiro |
width: | 1920px |

KALANGO
Under the name our own brand Kalango we offer various accessories, but also instruments and custom-made products, which we develop and produce either ourselves or which are made by different manufacturers according to our ideas and conceptions. These include our custom heads with band logo print, a wide range of bags, straps, surdo stands and a selection of hand welded agogôs with 2 or 4 bells and different designs.
For more than 30 years we have been musicians ourselves and incorporate into our products all the experience, ideas and quality expectations we have gained over the years by playing, being in contact with active musicians from authentic scenes or simply by using ideas we pick up during our travels.
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