Hide head 10'' - aluminium rim - Gope

Hide head 10'' - aluminium rim Gope A378310

Hide head 10'' - aluminium rim - Gope

Gope
Item number
A378310
weight (net):
0,2 kg

Delivery: 2-5 business days (EU mainland)

14,50 *

incl. VAT , plus shipping costs

Delivery: 2-5 business days (EU mainland)

Packaging unit is piece
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Total price: €73.50 *

Hide head 10" spare head for pandeiro / banjo with aluminium ring Information about... more

Hide head 10'' - aluminium rim - Gope

item number: A378310
head by instrument: Pandeiro
size: 10"
Type: natural skin - aluminium rim
weight (net): 0,2 kg

Hide head 10" spare head for pandeiro / banjo with aluminium ring

Information about mounting hide heads:
Natural heads tend to twist when they are unmounted due to different air humidity and temperature. When you are ready to put the head on your instrument and see that it is twisted, moisten (not soak!) the head carefully with a kitchen sponge, then put it on a flat surface and push the drum shell in the rim from above. Put your drum loosely back together and wait until the head is dry before putting any tension on it. Let it dry slowly in the air (best overnight), don't use heaters, hairdryers and don't leave it in the sun as it will make the head brittle and prone to tear.

Information for hide heads on aluminium rims:
Natural heads tend to twist when unmounted, especially with when temperature and humidity changes. This can happen as well with heads on wood rims as with skins in aluminium rims. The aluminium hoops are grouted in a way that leaves a small open joint gap. This is not a defect nor a broken seam, but a tiny tolerance which is there on purpose so that the head can expand or tighten without damaging the hoop or the head when air moisture changes. If you have received a twisted head with an open gap on the aluminium rim, then that is quite normal and with only a few steps the head will easily fit on your instrument shell: Slightly moisten the head, wait a couple of minutes, then fit it on the shell and put your instrument back together loosely. Only put tension on the head once it has dried completely and in a natural way; this will usually take overnight. As soon as there is tension on the head, wrinkles and the twist will disappear and the head will easily adjust to the shape of the instrument shell. If you have any questions about mounting a head, please contact us.

Purchasing replacement heads:
If you are buying a replacement head for your instrument, we advise that you get a head from the same brand as your instrument as they should fit without any trouble. If you buy a head from a different brand, you might find that the fit slightly differs or even doesn't go on the shell well or at all. Please understand that we cannot offer warranty in this case.



Note about spare parts:

We recommend that you always purchase spare parts of the same brand as your instrument to ensure fit and function. We cannot assume any warranty for different-brand combinations. If you are looking for a spare part that you cannot find on our site, please contact us!


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GOPE is a family-run business from the area around São Paulo. Today the company is... more

Brand description "Gope"

gope-olodum

GOPE is a family-run business from the area around São Paulo. Today the company is being run in its third generation by the grand daughter of the firm´s founder.


The brand GOPE has been producing drums and smallpercussion instruments for over 50 years now. When the company was founded, there was already a small workshop in which drumsets were manufactured.

In 1962, the production of the typical Samba instruments began, iniciated by Humberto Rodella, the son of the founder. The company kept growing and after several relocations in São Paulo, GOPE finally found the right place for building a large production hall in Embu Guaçu, a suburb of São Paulo.

gope-expoSince then GOPE produces in Embu Guaçu everything from the Agogô to the Zabumba, a wide range of percussion instruments, and only recently also various wind instruments.

GOPE has always kept in close touch with the musicians. The ideas and proposals for modifications that they received from many of those contacts, have always had much influence in the development of new instruments and improvement of production.