Description
Pandeiro with wood frame and synthetic cristal head – purist sound with rustic charm
This pandeiro combines a simple yet well-crafted wooden frame with a transparent cristal synthetic head for crisp sound with a rustic character, making it a versatile choice for Pagode sessions or as a travel instrument. Perfect for those who appreciate a rustical tone.
Synthetic heads are tuned high, and to handle the tension, this model features a relatively thick frame. Despite its sturdiness, it feels comfortable in hand and provides a broad rim for the head to sit on.
The zinced jingles produce an authentic, dry sound that blends well into both traditional and modern settings. There’s no complexity in zinc jingles—just a simple, raw character that, combined with an effortless swing, captures the magic of Brazilian beats exactly as we love them.
An affordable pandeiro with great value for money - perfect for those looking for a solid and budget-friendly option.
| Skin/Head: | Cristal |
|---|---|
| frame: | wood |
| Diameter: | 10'' |
| Frame Height: | 45 mm |
| rim: | round material |
| Hooks: | 6 |
| Jingles: | steel sheet |
| N° of jingles: | 5 Sets |
Brand information
Gope
GOPE is a family-run business from the area around São Paulo. Today the company is being run in its third generation by the grand daughter of the firm´s founder.
The brand GOPE has been producing drums and smallpercussion instruments for over 50 years now. When the company was founded, there was already a small workshop in which drumsets were manufactured.
In 1962, the production of the typical Samba instruments began, iniciated by Humberto Rodella, the son of the founder. The company kept growing and after several relocations in São Paulo, GOPE finally found the right place for building a large production hall in Embu Guaçu, a suburb of São Paulo.
Since then GOPE produces in Embu Guaçu everything from the Agogô to the Zabumba, a wide range of percussion instruments, and only recently also various wind instruments.
GOPE has always kept in close touch with the musicians. The ideas and proposals for modifications that they received from many of those contacts, have always had much influence in the development of new instruments and improvement of production.
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